Well, this seems like a pretty fun task for the week. “Parts of a whole” could be interpreted in a number of ways, so I’m happy to have the flexibility. Though I have completed some work in the past that would fit in to this category, I may revisit these styles, since some of my favorite pictures came from it.
The first is a couple of projects which, in my photography class, we called “big picture” projects. I had two along these line. One was in my first photography class, where we shot a series of images in a specific order, organized all of the negatives and printed a contact sheet to compose a large image. The next was in my second photography class, where I shot the images in the same manner, but then actually developed each image, which when put together, compose a complete scene. I really like the result of working like this, where each individual image can be interesting on its own, but is a part of a whole, lager, photograph. The images also don’t match up perfectly, which if you’re working with moving subjects in particular, can give you some really interesting overlap, and allows the viewer to have enough information to fill in gaps when needed. The funny thing about this assignment….I thought I only had to do one “big picture”, to which I put a lot of thought in, went out and found a great location, waited until sunset, and so on, to get this great picture. When I got to class….I needed two…oops. So I took my camera around campus, looking for something that wasn’t going to be as mundane, and appear as rushed, as a picture of the parking lot. I went up a set of stairs to check out what was on the 2nd and 3rd floors of the building I was in, when I decided to take a pic of the stairs themselves. You be the judge, but I like the unexpected second project better than the first, thought out results. Check them out!
The next example that I have for “parts of a whole” are some images that I did just for fun. A friend was house sitting, so I stopped by to keep her company while she was working from (someone else’s) home. The home had a pretty interesting style, filled with some pretty neat objects, one of which was an entire vintage hair dryer chair. I was immediately charmed by the chair, and when I visited her the next day, I came prepared with camera in hand. The part which I most enjoyed was the actual dryer head, which sparkled in the sunlight. So, knowing that a picture of just this chair sitting in the corner could be a little boring, I waited (…and waited, and waited…) on this cloudy day to catch the sunlight reflecting in the sparkles of the dryer head, and lighting up other parts of the vintage metal labels. I didn’t think much of the images while I was working on them, other than that I liked them, but as people started to view them, I realized they were a little more interesting than I had thought. In my attempt to make a less boring photograph, of just having a chair in a room, I photographed very close up elements of this chair. I thought I was simply capturing the aspects which I found really interesting about the chair, but I had also abstracted it in such a way that people didn’t realize what they were looking at, and really had to think about it, making it that much more interesting. So, with that final result, I was truly happy. Going forward in this week, I’m not sure how I will be working this theme. Maybe I’ll revisit these two tried and tested approaches once more, or maybe I’ll think of something new, and work on a more conceptual level. Guess you’ll just have to wait and see!