Week 46: Memories

Often times I like to work from my own memories.  Comparing past places to what they look like in the present, bitter-sweetness which comes with the passing of time, and loss.  I think it’s pretty safe to say that a lot of my work conveys messages such as these.  Sometimes, however, I like to work at examining other’s memories, and a little exploring will do just the trick for that.

So, you know, finals went ok, but not super great.  My digital photography class was one of my problem classes, sadly.  I had a great idea of working at the beach, with a model, and capturing some really whimsical and charming images….but my model canceled on me.  Sad, but I understand — she was busy with finals as well.  It still sucked having to start from square one with only about a week before my project was due.  So back to the drawing board.

I started thinking about things that I liked, or that I’ve always wanted to do.  A good suggestion from my professor, particularly for someone like me who has been getting pretty stumped lately.  So going with that, “something I’ve always wanted to do”, at least for a while now, were those beach pictures.  Scratch that.  So what do I like to do?  Well, one thing that I’ve been missing were my little excursions to some abandoned buildings.  So, with my friend in tow, I set out to find an interesting place that we could sneak in to.

Going in to these places, I’m always trying to do more than take some interesting, yet arbitrary, pictures.  I’ve always found it interesting when one of two things happens to these buildings.  If the building is taken over by nature, with vines, and trees, and flowers completely engulfing it, I find it so interesting, and a bit ironic, that we’ve taken from nature to build this structure, only for it to be discarded, materials wasted, and for nature to reclaim it.  The other interesting scenario is when I can find little “artifacts”, as I like to call them, of who may have been in this space before.  I’m sure just about everyone passes by a building or space which has just been left to decay on a regular basis.  Do you ever stop to wonder what that place was, what it could have meant to someone, or what they may have used it for?  Or do you ever wonder who the person or persons were that used to inhabit this space, and what happened to them?  Did they just give up?  Move on, or even pass on?  It’s so mysterious when you stop to think about it.  I’m sure with some research, answers may be found in some cases, but what’s the true story?  That’s what I like to look for.

So while driving around, we headed towards the southern part of Maryland.  We passed by an old favorite of mine, but it had been blocked off, and you could see that the area was starting to change a bit.  So further off the grid we went, and we started to get to some pretty interesting farm land areas.  Farm land?  Yeah, we’ve got a lot of that around here once you get to a certain area.  With that comes some of those dilapidated barns filled with interesting things.  We had to pass a few by, because you can’t just park on the side of a busy road and mosey on in these places, but finally found the perfect spot; a place a little off the road, and a long driveway which wound around the barn.

So here are the images from that trip.  It seems like it was a little storage barn for a farm, but also for a farmer’s market.  Quite cute in it’s heyday, I’m sure, but very sad and decaying now.   The light was beautiful on what was another unseasonably warm day for the area.  I’m happy to have used that to my advantage in a lot of these shots.  Though I feel I know a little more about this space, I’m still wondering just what happened to this farmer.  What do you think?  Enjoy!

 

 

Week 11: High Key

So it looks like I’m in for another learning experience, or two, with this week’s challenges.  For the photography challenge, I have been tasked to take high key photographs.  High Key?  I wasn’t quite sure what that was, so I googled, and it appears that there are quite a few differences in opinion as to what classifies as high key photography.  The general consensus is that a high key photography should contain a lot of white, no/very few shadows, and very lightened mid-tones.  Now, when actually viewing photographs, it seems that people have different opinions.  After doing some research, the black and white images that I came across seemed to turn out more successful, while the color images were hard to define as “high key” in my opinion, particularly when they contained highly saturated colors.  So I think I’m going to go for the black and white look (yay!).

The subject matter is going to be interesting, however.  Many of the words I found that were used to describe high key photography were “happy”, “bright”, “cheery”, and “light and fluffy”.  Ick — I’m not one for doing happy, lovey-dovey, all is well with the world type photographs.  I know, I just posted some borderline “fluffy” pictures of flowers, but that’s different!  I find beauty in the world, as well as in a lot of things that others would not find beautiful, so when capturing things like flowers and nature, that’s what I’m looking at, not their “fluff” value.

The second part of this challenge, the business side, is another bonus photography challenge this week (double yay).  The business objective is to shoot the opposite.  Now, that’s pretty open for interpretation, but it’s intended to be understood as to shoot the opposite of what you normally do.  In evaluating what I usually shoot, I think I have what my “opposite” should be.  I’m often doing landscapes, nature photography, and beach photography, and when working on projects, I often work with still life set ups and (usually bribed) models.  My opposite would be street photography.  It’s something that I’ve always wanted to get in to, have always been intimidated by, and have always adored when viewing the works of others.  In just going through the assignments of my photography classes, I was always in awe of how these non-art-marjor, amateur photographers, would capture wonderful, candid images in their street photography.  Not that I’m looking down on their skill in saying that, I’m actually giving them props — they were brand new in a medium I have worked with for years, and seemed to have broken through the barrier that the idea street photography has built for me.  As I worked through my classes and became more familiar with the works of other artist, I became even more captivated with the idea of capturing striking photos from everyday interactions.  I would have to say that my favorite would be Garry Winogrand, which was only amplified after I saw an exhibit of his at the National Gallery.  I’m a little bittered of the idea of street photography after seeing his photographs, wishing that people still dressed the way they did in the 50’s and 60’s.  I feel that there is a level of class in that era which he captured in his images, and nothing close to that could be captured again.  If you haven’t seen his work, you should, like right now — it’s pretty great.  Anyways, as I ramble on, that’s going to be my focus for the weekend, hopefully.  With another bout of winter weather coming around, I may have a better chance at catching some outdoor high key photographs than street photography.  Wish me luck!

Oh, and here’s a couple of photographs which I have taken in the past that bordered high key, and with my edits, I think are approaching that technique.  Not quite sure if I’ve got it, but hopefully with some intentional lighting and camera settings, I’ll catch the light just right.