Van Dyke

Well, it looks like I’ve taken too deep of a breath while relaxing after this semester, and have fallen off the grid a little with my blog.  Sorry!  So to make up for it a little, I thought I would share some of my favorite photographs from my alternative processes class this semester.

I have to say, if I haven’t already, this was my favorite class I took this semester, possibly my favorite that I will take while at MICA.  Just having the resources to learn about different processes, and then not having to buy the chemicals and try to deal with them in my less than acceptable home set up was pretty amazing.  I’m considering auditing this class again because I loved it so much, but we’ll see — the rest of my “MICA career” seems like it’s going to be a little crazy.

One of the things we learned about was the Van Dyke process.  I’ve experimented with a similar process in the past, Kallitype, which I came to learn is basically the same process, with just a slight difference in chemistry.  At least I had a little heads up with what I was going to be working with, which was good.  This chemistry is nothing to mess with — I messed up before, luckily just a little, but my hands were stained brown in little spots for about a week.  Come to find out, it can last much longer than that, so I got off easy.

Since I was stuck on the nature theme for this class, I thought about some old photos that I’ve shown you guys before, that I did during a still life exercise for my Digital I class last semester.  I’ve been in love with these photos since then, and I was happy to try them out in a different process.  I feel like when I do alternative process printing, I have a different aesthetic that I go for.  I like the more “oddities” and “antique” looking subjects.  Nature always works, too, but I’m really happy when I can combine the two, and I feel like these photos got it.  Maybe that’s why I like them so much.

Aside from these being my favorites, this process also worked like a charm in the class.  I had a little trouble with the cyanotype processing, which was disappointing, and palladium (which I’ll show you soon!) was a really time consuming process, which took a little of the fun out of it.  With the light boxes in class, these worked quick, and turned out great.  I used Arches Cover paper, and really enjoy the result I got from it.  There is a bit of a waiting process, if you’re thinking of trying this out and don’t like waiting.  Per suggestions made by my professor, it’s best to double coat your paper, waiting at least a day or two between coats, and then waiting an additional few days before printing.  This allows the paper to really absorb the chemistry, and will provide you with a wide range of tones once you get to printing.  So I coated during one class, had a class mate do the second coat a few days later, and printed the following week.  I’m not patient, but if that was the key to these, I guess I’ll just have to get used to waiting when I try this again.

So here they are!  Let me know what you think.  I’m in love with them, and can’t wait to do some more.  Maybe I can sneak in over the summer and do some printing?  I may just have to find out if that’s a possibility.  Enjoy!

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