I’ve been looking forward to this week! Mostly because some of my favorite photographs have been parts of diptychs and triptychs. That’s the theme for this week: diptych, a set of two images, or triptych, a set of three images.
It’s funny, when I started going back to school a couple of years ago (agh, that’s weird to think about!), we were constantly working in series of images. When I would think about my photography at the time, I would say that I just had a bunch of random images, and never really thought to work in groupings. Admittedly, I also didn’t really want to work in groups or themes, and just wanted to continue my randomness of getting various different successful shots. Now, I can’t seem to get away from it. I mean, come on, you’ve seen my blog (hopefully — if not, then explore!), it’s like a struggle for me to only post one image when working through these themes and topics. It seems like everything I do is in a group, and I have to say I miss the random good image that can just stand alone. But back to topic, I’m still happy that I get to work like this again.
Aside from working pretty much consistently with groups of images through school, there were a couple of projects where I worked with diptychs and triptychs. I didn’t realize it when I did it the frist time, but my very first project which consisted of the photograms that I did, I also had a single rose which I used, and produced an image, as well as an inverted image. I loved the simplicity, as well as the ying and yang qualities they had, so I always placed the two together. Later on, I was actually assigned a project where the goal was to come up with a set of two images (diptych! — which I still didn’t realize it was call that then). The images were supposed to be either opposites, or around a related theme, so clearly, I went with the opposite theme. When you’re not getting a glimpse into my nature photography and I’m working on a personal project, I work a lot with conflict and emotions; inner turmoil, regrets, and memories.
The “opposite project”, as my professor and I named it, were my favorite images. That is, until the next semester, when I audited the class and got to do a whole bunch of fun, experimental things, like my double exposures. During my first semester final, this girl appeared on that last day of class, images on the wall ready for critique, and I had no idea who she was. Turns out she was auditing the class at that time, and was working on a much more flexible schedule. She had completed some pretty interesting images, one of which was a double exposure. The only thing I’m sad I missed out on was having a nude model in-class; apparently that was discontinued during the semester prior to my arrival. This girl was lucky enough to have one, and completed a double exposure of abstracted model photographs and flowers. The images really stuck with me, and I couldn’t wait for a chance to do something like that…eventhough it was the end of the semester, and I was clearly going to have to wait a good amount of time. So when I got through my first two classes and got my first assignment of “the concept” during the audited class, I used that to my advantage. “Just come up with a concept, something conceptual” was along the lines of what I was told, so of course, you know I struggled for a while with that broadness. Finally, I had an idea, and there was a chance to do my double exposures. Working with old photographs that my mother took during my childhood which I either used the existing negatives or photographed to create a new negative, along with new images in the same location of the childhood images, I created my “now and never again” project. One part memories, one part remorse for how much things have changed, and a pinch of sadness, you know, to stay inline with my usual process, I worked for weeks to combine the two images seamlessly, and show how the happy memories from childhood are gone, the places have changed, and many of them are in poor condition. Even though I created a set of five images, I selected three to be presented as a triptych (also, not knowing that was a thing. I need to stop living under this rock apparently…).
So, while I’m constantly looking for new things to do as I work through this 52 week challenge, I think I’m going to stick with some of the themes I love working with as I complete these images. Opposites are such a great thing, and can show a variety of concepts, thoughts, and struggles. So enjoy my previous works while I think of some new ideas (and sorry, not the best quality scans on some of these)!